He taught me the value of uncompromising literary criticism and the absolute necessity for perfect grammar, and I try, Jim, God knows I try. But the most indispensable lessons he taught were how badly I could write when I wasn’t paying attention, and how I could be king of the world when I did the work with love and courage.
Jim is gone now, but for all that, and for much more, this progress report, this book, with respect and friendship, for
JAMES BLISH
Fear is implanted in us as a preservative from evil; but its duty, like that of other passions, is not to overbear reason, but to assist it. It should not be suffered to tyrannize in the imagination, to raise phantoms of horror, or to beset life with supernumerary distresses.
Introduction: MORTAL DREADS
With a touch of quiet pride the Author states that he has watched the Johnny Carson Show only once in his life. (The single blot on an otherwise exemplary record occurred when I was pressed, one night, into sitting through consummate dreariness to reach the moment when Robert Blake, a friend of many years even though he’s an actor, was to sit and talk to Orson Welles, one of my heroes despite his hawking of inferior commercial wines. It was a moment I wish had been denied me. Bob, a good and decent and talented man, clever, witty and articulate, perhaps driven mad by the fame and cheap notoriety of having become a television cult hero for several seasons, proceeded to insult Mr. Welles in a manner I suppose he thought was bright badinage. It was a maleficent spectacle in overwhelming bad taste, culminating in Bob’s passing a remark about Mr. Welles’s girth.
(Welles sat silently for a moment as the audience—and I—winced in disbelief and horror. Then he said, very softly, very softly, “My weight is correctable only with enormous difficulty at my age, but I live with it comfortably; as opposed to your bad manners.”)