
Thus I try to codify in noble terms the obsession with Art and the inability of the writer to stop writing, to get along with others, to view without rancor the world as a gem, at once pure and perfect. But that’s flapdoodle, of course. I write because I write. I can do no other.
It is the love of conversation.
I am anti-entropy. My work is foursquare for chaos. I spend my life personally, and my work professionally, keeping that soup boiling. Gadfly is what they call you when you are no longer dangerous, when the right magazines publish your work and you don’t have to seek out obscure publications as homes for the really mean stuff, when they ask you to come and discuss matters of import with “celebrities” on the Johnny Carson Show. I much prefer troublemaker, malcontent, pain in the ass, desperado. As I’ve said elsewhere, I see myself as a combination of Jiminy Cricket and Zorro. Thus do I ennoble myself in the times when all the simple joys I’ve forsworn rush back on me as chances lost, and I’m left with only the work and something Irwin Shaw said: “Since lam not particularly devout, my chances for salvation lie in a place sometime in the future on a library shelf.”
