Should I bring a picture of Nathaniel and Micah and me in, to put on the desk? I knew that the other animators at Animators Inc. had pictures of their families on their desks, too.

But, of course, would I need more pictures? If I brought a picture of me with the two men, then did I need to bring a picture of me with my other sweeties? When you’re sort of living with, at last count, four men, and dating another five or six, who goes in the pictures?

I felt nothing about the package on my desk. I wasn’t scared or disgusted. I felt nothing but a huge, vast emptiness inside me, almost like the silence that my head went to when I pulled the trigger on someone. Was I handling this really well, or was I in shock? Hmm, I couldn’t tell, which meant it was probably some version of shock. Great.

I stood up and looked at the head in its plastic wrap and thought, No pictures of my boyfriends, not at work. I’d had a handful of clients who had turned out to be bad guys, and girls. I didn’t want them seeing pictures of people I loved. Never give the bad guys ideas; they find enough awful things to do without giving them clues.

No, no personal photos at work. Bad idea.

I dialed Information, because I’d never talked to the Las Vegas police force before. It was a chance to make new friends, or piss off a whole new set of people; with me, it could go either way. I didn’t do it on purpose, but I did have a tendency to rub people the wrong way. Part of it was being a woman in a predominantly male field; part of it was simply my winning personality.

I sat back down, so I couldn’t see inside the box. I’d already called my local police. I wanted forensics to do the box, find some clues, help us catch this bastard. Whose head was it, and why did I get the prize? Why send it to me? Was it a sign that he held a grudge about me killing so many of his vampires when they were slaughtering people in our town, or did it mean something else, something that would never, ever, occur to me to think?