There were no sailboats yet at this hour, and for once there was no fog. It was a perfect June day, and she stood for a moment, looking at the water. She was tempted to sit down and simply watch. But it seemed sacrilege to rumple the couch, to tread on the rug, even to breathe in that room. It was easier to simply move on, to her own little world, to the studio at the back of the house where she painted… where she fled.

She walked past the dining room without looking in, then soundlessly down a long corridor to the back of the house. A half flight of stairs led to her studio. The dark wood was cold on her feet. The door was stiff, as always. Marc had given up reminding her to have something done about it. He had come to the conclusion that she liked it that way, and he was right. It was difficult to open, and it always slammed rapidly closed, sealing her into her own bright little cocoon. The studio was her own precious world, a burst of music and flowers tenderly tucked away from the stifling sobriety of the rest of the house. No Aubussons here, no silver, no Louis XV. Here, everything was bright and alive-the paints on her palette, the canvases on her easel, the soft yellow of the walls, and the big, comfortable, white chair that embraced her the moment she relinquished herself into its arms. She smiled as she sat down and looked around. She had left a terrible mess the morning before, but it suited her; it was a happy place in which she could work. She flung back the flowered curtains and pushed open the French doors, stepping onto the tiny terrace, the bright tiles like ice beneath her feet.

She often stood here at this hour, sometimes even in the fog, breathing deeply and smiling at the specter of the bridge hanging eerily above an invisible bay, listening to the slow owl hoot of the foghorns. But not this morning. This morning the sun was so bright that she squinted as she stepped outside. It would be a perfect day to go sailing, or disappear to the beach.