BUT I WASN'T GOING to take on the Flynns' problems, I told myself, or worry about a genetic misfit in the Colorado pen.

I was still telling myself that late that night when Mout' Broussard, New Iberia's legendary shoeshine man and Cool Breeze's father, called the bait shop and told me his son had just escaped from the parish prison.

THREE

CAJUNS OFTEN HAVE TROUBLE WITH the th sound in English, and as a result they drop the h or pronounce the t as a d. Hence, the town's collectively owned shoeshine man, Mouth Broussard, was always referred to as Mout'. For decades he operated his shoeshine stand under the colonnade in front of the old Frederic Hotel, a wonderful two-story stucco building with Italian marble columns inside, a ballroom, a saloon with a railed mahogany bar, potted palms and slot and racehorse machines in the lobby, and an elevator that looked like a polished brass birdcage.

Mout' was built like a haystack and never worked without a cigar stub in the corner of his mouth. He wore an oversized gray smock, the pockets stuffed with brushes and buffing rags ribbed with black and oxblood stains. The drawers under the two elevated chairs on the stand were loaded with bottles of liquid polish, cans of wax and saddle soap, toothbrushes and steel dental picks he used to clean the welts and stitches around the edges of the shoe. He could pop his buffing rags with a speed and rhythm that never failed to command a silent respect from everyone who watched.

Mout' caught all the traffic walking from the Southern Pacific passenger station to the hotel, shined all the shoes that were set out in the corridors at night, and guaranteed you could see your face in the buffed point of your shoe or boot or your money would be returned. He shined the shoes of the entire cast of the 1929 film production of Evangeline; he shined the shoes of Harry James's orchestra and of U.S. Senator Huey Long just before Long was assassinated.



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