I lean forward and say to David, "The bottle house is around this next curve and to the left," and he nods and slows the car. I told them about it earlier, I guessed it was the kind of object that would interest them. They're making a movie, Joe is doing the camera work, he's never done it before but David says they're the new Renaissance Men, you teach yourself what you need to learn. It was mostly David's idea, he calls himself the director: they already have the credits worked out. He wants to get shots of things they come across, random samples he calls them, and that will be the name of the movie too: _Random Samples._ When they've used up their supply of film (which was all they could afford; and the camera is rented) they're going to look at what they've collected and rearrange it.

"How can you tell what to put in if you don't already know what it's about?" I asked David when he was describing it. He gave me one of his initiate-to-novice stares. "If you close your mind in advance like that you wreck it. What you need is flow." Anna, over by the stove measuring out the coffee, said everyone she knew was making a movie, and David said that was no fucking reason why he shouldn't. She said "You're right, sorry"; but she laughs about it behind his back, she calls it Random Pimples.

The bottle house is built of pop bottles cemented together with the bottoms facing out, green ones and brown ones in zig-zag patterns like the ones they taught us in school to draw on teepees; there's a wall around it made of bottles too, arranged in letters so the brown ones spell BOTTLE VILLA.

"Neat," David says, and they get out of the car with the camera. Anna and I climb out after them; we stretch our arms, and Anna has a cigarette. She's wearing a purple tunic and white bellbottoms, they have a smear on them already, grease from the car. I told her she should wear jeans or something but she said she looks fat in them.