But Albert was Albert, a generous and brave man who protected the wild animals and turkeys on his property, fed stray dogs and cats, and hired bindle stiffs and broken-down waddies most people would shun.

He gave us a log cabin that was shaded by cottonwoods next to a creek on the far side of his barn. He gave Clete the bottom third of his massive stone-and-log home. Our plans were to spend the summer fishing the Blackfoot and Bitterroot rivers, with an occasional excursion onto the Lochsa River in Idaho or over east of the Divide to the Jefferson and Madison. The riparian topography of those particular waterways is probably as good as the earth gets. The cottonwoods and aspens along the banks, the steep orange and pink cliffs that drop straight into eddying pools where the river bends, the pebbled shallows where the current flows as clear as green Jell-O across the tops of your tennis shoes, all seem to be the stuff of idyllic poems, except in this case it’s real and, as John Steinbeck suggested, the introduction to a lifetime love affair rather than a geographical experience.

I had taken leave from the Iberia Parish Sheriff’s Department, where I made a modest salary as a detective-grade sheriff’s deputy. Hurricanes Rita and Katrina had spared our home on East Main in New Iberia. But Clete had watched the city of his birth drown. He had not recovered, and I was not sure he ever would, and I had hoped Montana would offer a cure that I could not. Clete was one of those who always tried to eat his pain and shine the world on. There was only one problem. His pain didn’t go away, and the booze he drank and the weed he smoked and the pills he dropped didn’t work anymore.

But we would soon learn that the state of Montana, with all its haunting beauty, would not provide a panacea for either of us. Both of us had been here in the late 1980s, and neither of us had dealt adequately with the ghosts we had created.