He planted seaweeds and caught little crabs and eels and tide-pool Johnnys. He carried buckets of sea water from the beach and set up a pump to circulate the water from tank to aquarium and back. He considered every factor within his knowledge—relations of plant and animal life, food, filtering, oxygenation. He built an octopus world within walls of glass, trying to anticipate every octopus need and to eliminate every octopus enemy or danger. He considered light and heat.

Eight of his octopi were dead, but the twenty living ones scuttled to the bottom of their new home and hid themselves, throbbing and blushing with emotion. Doc drew a stool close and peered into the little world he had made, and his mind was filled with cool green thoughts and stately figures. For the moment he was at peace. The pale expressionless eyes of the octopi seemed to be looking into his eyes.

In the days that followed, Doc’s disposition was so unpredictable that Mack exhausted every other possibility before he moved in on Western Biological for the two dollars he thought he needed.

Mack’s campaign was probably the most elaborate of his career. It began quietly, and only after a thorough preparation did it begin to take shape. Then spinnerets of emotion laced in and the heavy notes of tragic necessity began to be faintly heard. Drama grew, as it should, out of its inherent earth. Mack’s voice was controlled and soft—no trembling yet—just a reasonable, clear, but potentially passionate growth. Mack knew he was doing well. He could hear himself, and he knew that if he were on the receiving end he would find it impossible not to weaken. Why, then, did not Doc turn his eyes from the dimly lit aquarium? He had certainly said “hello” when Mack came in. A little shakily Mack cut in the vox angelica, the vox dolorosa, and finally a bendiga stupenda so moving that Mack himself was in tears.