Meanwhile Death, for whom time moves in a somewhat different fashion than for men, recognized that there remained to him only two heartbeats in which to fill his quota. The extremely faint thrill of excitement he had felt at seeing his two chosen heroes foil his brilliant improvisations — and at the thought that there might be powers in the universe unknown to him and subtler even than his — was replaced by a wry disgust at the realization that there was no longer time enough left for artistry and for indirection and that he must personally take a hand in the business — something he thoroughly detested, since the deus ex machina had always struck him as fiction's — or life's — feeblest device.

Should he slay Fafhrd and the Mouser direct? No, they had somehow outwitted him, which ought in all justice (if there be any such thing) give them immunity for a space. Besides, it would smack now almost of anger, or even resentment. And after his fashion and despite his occasional and almost unavoidable cheating, Death was a sportsman.

With the faintest yet weariest of sighs, Death magicked himself into the royal guardroom in the Great Golden Palace in Horborixen, where with two almost sightlessly swift, mercifully near-instantaneous thrusts, he let the life out of two most noble and blameless heroes whom he had barely glimpsed there earlier, yet ticketed in his boundless and infallible memory, two brothers sworn to perpetual celibacy and also to the rescue of at least one damsel in distress per moon. And so now they were released from this difficult destiny and Death returned to brood sadly on his low throne in his modest castle in the Shadowland and to await his next mission.

The twentieth heartbeat knelled.

II: Beauty and the Beasts

She was undoubtedly the most beautiful girl in Lankhmar, or all Nehwon, or any other world. So Fafhrd, the red-haired Northerner, and the Gray Mouser, that swarthy, cat-faced Southerner, were naturally following her.