Nor had any other man visited her, excepting eunuchs who lectured her on the erotic arts — while she was securely trussed up, else she would have flown at their pudgy faces like a wildcat, and even at that she spat at them whenever able — and gave her detailed and patronizing advice on her metalworking, which she ignored as haughtily as she did their other fluting words.

Instead, her creativity, now fired by insane jealousies as well as racklike aches for freedom, had taken a new and secret turn.

Scanning the silver mirror, she carefully inspected the four ornaments adorning her slender yet wiry-strong figure. They were two breast cups and two shin-greaves, all chiefly of a delicate silver filigree, which set off nicely her green and blue tattooing.

Once her gaze in the mirror wandered overshoulder, past her naked pate with its finely patterned, fantastical skullcap, to a silver cage in which perched a green and blue parrot with eye as icily malevolent as her own — perpetual reminder of her own imprisonment.

The only oddity about the filigree ornaments was that the breast cups, jutting outward over the nipples, ended in short spikes trained straight forward, while the greaves were topped, just at the knee, with vertical ebony lozenges about as big as a man's thumb.

These bits of decor were not very obtrusive, the spikes being stained a greenish blue, as though to match her tattooing.

So Eesafem gazed at herself with a crafty, approving smile. And so Death gazed at her with a more crafty one, and one far more coldly approving than any eunuch's. And so she vanished in a flash from her cell. And before the blue-green parrot could gin squawk his startlement, Death's eyes and ears were elsewhere also.

Only seven heartbeats left.

Now it may be that in the world of Nehwon there are gods of whom even Death does not know and who from time to time take pleasure in putting obstacles in his path.