Opposite the tapestry — for decoration, I assumed — hung a round shield with crossed spears behind it. The shield was rather like the old Greek shields on some of the red-figured vases in the London Museum. The design on the shield was unintelligible to me. I could not be sure that it was supposed to mean anything. It might have been an alphabetic monogram or perhaps a mere delight to the artist. Above the shield was suspended a helmet, again reminiscent of a Greek helmet, perhaps of the Homeric period. It had a somewhat "Y"-shaped slot for the eyes, nose, and mouth in.the nearly solid metal. There was a savage dignity about it, with the shield and spears, all of them stable on the wall, as if ready, like the famous colonial rifle over the fireplace, for instant use; they were all polished and gleamed dully in the half light.
Aside from these things and two stone blocks, perhaps chairs, and a mat on one side, the room was bare; the walls and ceiling and floor were smooth as marble, and a classic white. I could see no door in the room. I rose from the stone table; which was indeed what it was, and went to the window. I looked out and saw the sun our sun it had to be. It seemed perhaps a fraction larger, but it was difficult to be sure. I was confident that it was our own brilliant yellow star. The sky, like that of A panel in the wall slid sideways, and a tall red-haired man, somewhere in his late forties, dressed much as I was, stepped through. I hadn't known. what to expect, what these people would be like. This man was an earthman, apparently. He smiled at me and came forward, placing his hands on my shoulders and looking into my eyes. He said, I thought rather proudly, "You are my son, Tarl Cabot."