Miss Howard seemed to sense our uncertainty and, knowing it to be well grounded, didn’t push too hard.

“I know I’m asking a lot,” she said, glancing around the street and speaking with rare uncertainty. “But I tell you-all of you-if you see this woman, talk to her for just a few minutes, hear her describe it-”

“It’s all right, Sara,” Mr. Moore interrupted, abandoning complaint and softening his voice to suit the scene. He turned first to me and then to Cyrus, as if to make sure that he was speaking for us all. We didn’t need to tell him he was. “It takes a moment, that’s all,” he went on, looking up at the façade of Number 808. “But we’re with you. Lead the way.”

We passed through the marble lobby and into the great cage that was the elevator, then started the slow, laborious drift up to the sixth floor. Looking at Cyrus and Mr. Moore, I could tell they knew as well as I did that, all nervousness aside, we weren’t going to come back down again without having gotten into something we might regret. Part of that was our mutual friendship for Miss Howard; part of it was, well, something that born New Yorkers just carry in their blood. A nose for the thing, call that thing whatever name you want: the story, the case, the ride-any way you cut it, we were getting on board. Oh, sure, we could pray that it wouldn’t involve the kind of devastation what the Beecham case had; but pray was all we could do, for we didn’t have the power to back out now.

The elevator came to the kind of heavy, sudden stop typical of commercial jobs, for Number 808 was a commercial building, full of furniture builders and sweatshops. That was part of the reason Dr. Kreizler had picked it in the first place: we’d been able to carry out our investigative affairs under the harmless cover of small businesses. But secrecy was no longer an issue for Miss Howard, and through the elevator grate I could see that she’d had a very tactful sign painted on the sixth-floor door: