Close to the shoreline of the Golden Horn, on the Pera side, stood a fountain set up by an Ottoman princess as an act of generosity, on a spot where the boatmen used to linger and drop their fares. Hundreds of fountains existed in the streets and squares of Istanbul, but this one was particularly old and lovely, and Yashim had admired it many times as he passed. Sometimes, in hot weather, he would rinse his face in the trickle of clear water that splashed down onto the tiled basin.

It was those tiles that now stopped him on the street, where he stood unnoticed and aghast in the stream of traffic passing along the shore: muleteers with their trains, porters under enormous sacks, two fully veiled women attended by a black eunuch, a bashi-bazouk on horseback, his sash stuffed with pistols and swords. Neither Yashim nor the ruined fountain attracted anyone’s attention: the crowd flowed around him, a man standing alone in a brown cloak, a white turban on his head, watching stricken as a trio of workmen in overalls and dirty turbans attacked the fountain with their sledgehammers.

It was not that Yashim lacked presence; his only lack was of something more definite. But he was used to passing unnoticed. It was as though his presence were a quality he could choose to display or to conceal, a quality that people would be unaware of until they found themselves mesmerized by his gray eyes, by his low, musical voice, or by the truths he spoke. Until then, though, he might be almost invisible.

The workmen did not look up as he approached. Only when he spoke did one of them glance around, surprised.

“It’s the bridge, efendi. Once this has gone, then the tree, there’ll be a way through here, see? Got to have a way through, efendi.”