Doom is fun. Great sex preceded the gas-chamber bounce. Older Secret Pervert Republicans blew their wads on mink coats for evil women. Present-day SPRs go broke on crack cocaine. Lethal injection has replaced the green room. Noir will never die — it’s too dementedly funny not to flourish in the heads of hip writers who wish they could time-trip to 1948 and live postwar malaise and psychoses. The young and feckless will inhabit the Secret Pervert Republic, reinvent it, wring it dry, and reinvent it all over again.

The short stories in this volume are a groove. Exercise your skeevy curiosity and read every one. You’ll be repulsed and titillated. You’ll endure moral forfeit. Doom is fun. You’re a perv for reading this introduction. Read the whole book and you’ll die on a gurney with a spike in your arm.

James EllroyJuly 2009

1923

TOD ROBBINS

SPURS

Clarence Aaron “Tod” Robbins (1888-1949) graduated from Washington and Lee University in Virginia and soon became an expatriate, moving to the French Riviera. When World War II erupted and the Nazis occupied France, he refused to leave and was put into a concentration camp for the duration of the war.

He wrote mostly horror and dark fantasy fiction for the pulps, publishing two collections of these stories, Silent, White, and Beautiful and Other Stories (1920) and Who Wants a Green Bottle? and Other Uneasy Tales (1926). Among his novels, the most successful was The Unholy Three (1917), twice adapted for films of the same title: a silent directed by Tod Browning in 1925 and a sound version in 1930 directed by Jack Conway, both of which starred Lon Chaney. Robbins’s earlier novel, Mysterious Martin (1912), was about a man who creates art that can be deadly; he later rewrote the enigmatic story and published it as The Master of Murder (1933). He also wrote In the Shadow (1929) and Close Their Eyes Tenderly (1947), published only in Monaco in a tiny edition, an anti-Communist novel in which murder is treated as comedy and farce.



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