Running up one sky-blue side was a Go Big Red bumper sticker. When Fenrick ran his System– that is, bludgeoned the rest of the wing with a record or tape– he used the Fan to blow air over the back of the component rack to prevent the electronics from melting down. Fenrick was tall and spindly, with a turkey-like head and neck, and all of us in the east corridor of the south wing of the seventh floor of E Tower knew him for three things: his seventies rock-'n'-roll souvenir collection, his trove of preposterous electrical appliances, and his laugh– a screaming hysterical cackle that would ricochet down the long shiny cinderblock corridor whenever something grotesque flashed across the 45-Inch screen of his Video System or he did something especially humiliating to Ephraim Klein.

Klein was a subdued, intellectual type. He reacted to his victories with a contented smirk, and this quietness gave some residents of EO7S East the impression that Fenrick, a roomie-buster with many a notch on his keychain, had already cornered the young sage. In fact, Klein beat Fenrick at a rate of perhaps sixty percent, or whenever he could reduce the conflict to a rational discussion. He felt that he should be capable of better against a power-punker Business major, but he was not taking into account the animal shrewdness that enabled Fenrick to land lucrative oil-company internships to pay for the modernization of his System.

Inveterate and cynical audio nuts, common at the Big U, would walk into their room and freeze solid, such was Fenrick's System, its skyscraping rack of obscure black slabs with no lights, knobs or switches, the 600-watt Black Hole Hyperspace Energy Nexus Field Amp that sat alone like the Kaaba, the shielded coaxial cables thrown out across the room to the six speaker stacks that made it look like an enormous sonic slime mold in spawn. Klein himself knew a few things about stereos, having a system that could reproduce Bach about as well as the American Megaversity Chamber Orchestra, and it galled him.