The waiter returned with the brandy, and Chavasse said, “You have a Fraulein Hartmann working here. How can I get in touch with her?”

The waiter smiled, exposing gold-capped teeth. “Nothing could be easier, mein Herr. The girls act as dance-hostesses after each show. I will point Fraulein Hartmann out to you when she comes in.”

Chavasse gave him a large tip and ordered a half bottle of champagne and two glasses. During his conversation with the waiter, a small band had been arranging itself on the stage, and now they started to play. At that moment, a door by the entrance to the kitchens opened and the showgirls started to come through as if on cue.

Most of them were young and reasonably attractive and wore dresses that tended to reveal their charms. They were all stamped in the same mold, with heavily made-up faces and fixed, mechanical smiles for the customers.

He was conscious of a vague, irrational disappointment at the thought that one of them must be the girl he was seeking, and then, as he was about to turn away, the door swung open again.

He did not need the waiter’s slight nod from the other side of the room to know that this was Anna Hartmann. Like the other girls, she wore high-heeled shoes, dark stockings, and a sheath dress of black silk that was barely knee-length and clung to her hips like a second skin.

But there the resemblance ended. There was about her a tremendous quality of repose, of tranquillity almost. She stood just inside the door and gazed calmly about the room, and it was as if she had no part in it, as if the ugliness of life could not touch her.

He was filled with a sudden excitement that he found impossible to analyze. It was not that she was beautiful. Her skin was olive-hued and the blue-black hair was shoulder-length. Her rounded face and full curving mouth gave her a faintly sensual appearance, and yet her good bone structure and firm chin indicated a strength of character that placed her immediately in a world apart from the other girls.