But, as far as anyone knew, he’d only painted Paddington once. And that painting hung famously in the hotel’s famously threadbare lobby. It was there for the taking, but so what? If you hooked that painting, how and to whom would you sell it?

I knew all that. But old habits die hard, and I’ve never been able to look at something of great value without trying to figure out a way to rescue it from its rightful owner. The painting was in a massive frame of gilded wood, and I pondered the relative merits of cutting it out of its frame as opposed to lifting it, frame and all.

I was busy contemplating grand larceny when the desk clerk asked if he could help me.

“Sorry,” I said. “I was looking at the painting.”

“Our mascot,” he said. He was a man about fifty, wearing a dark green silk shirt with a flowing collar and a string tie with a turquoise slide. His hair was Just for Men black, and his sideburns were longer than fashion would have them. He was clean-shaven, but he looked as though he ought to have a mustache, and as though it ought to be waxed.

“Poor Eddie Horvath painted him,” he said. “Such a loss when he died, and so ironic.”

“He died in a restaurant, didn’t he?”

“Right around the corner. Eddie had the world’s worst diet, he lived on cheeseburgers and Coca-Cola and Hostess cupcakes. And then some doctor convinced him to change his ways, and overnight he became a health-food fanatic.”

“And it didn’t agree with him?”

“I didn’t notice any difference,” he said, “except that he became a bit of a bore on the subject, as converts will do in the early days of their conversion. I’m sure he’d have outgrown it, but he never had the chance. He died at the dinner table, choked to death on a piece of tofu.”