The audience laughed-but not enough. This play was in trouble. This play had had its weaknesses from the start, she well knew, but with a mere smattering of laughter like that, it was doomed. So in a few more days she'd have to start rehearsing all over again. Another show. Another set of stupid lyrics and stupid melodies to memorize.

Sevet got to decide her own songs. Songwriters came to her and begged her to sing what they had composed.

Sevet didn't have to misuse her voice just to make people laugh.

"I wasn't screaming," Kokor sang.

"You're screaming now," sang Gulya as he sidled close and started to fondle her. His gravelly bass was always good for a laugh when he used it like that, and the audience was with him. Maybe they could pull this show out of the mud after all.

"But now you're touching me!" And her voice rose to its highest pitch and hung there in the air-

Like a bird, like a bird soaring, if only they were listening for beauty.

Gulya made a terrible face and withdrew his hand from her breast. Immediately she dropped her note two octaves. She got the laugh. The best laugh of the scene so far. But she knew that half the audience was laughing because Gulya did such a fine comic turn when he removed his hand from her bosom. He was a master, he really was. Sad that his sort of clowning had fallen a bit out of fashion lately. He was only getting better as he got older, and yet the audience was slipping away. Looking for the more bitter, nasty comedy of the young physical satirists. The brutal, violent comedy that always gave at least the illusion of hurting somebody.

The scene went on. The laughs came. The scene ended. Applause. Kokor scurried off the stage in relief- and disappointment. No one in the audience was chanting her name; no one had even shouted it once like a catcall. How long would she have to wait?