"No," said Rashgallivak. He might have intended to say more, but at that moment he laid a hand on Kokor's arm to restrain her, and so of course she brought her knee sharply up into his groin, as all the comedy actresses were taught to do when an unwelcome admirer became too importunate. It was a reflex. She really hadn't even meant to do it. Nor had she meant to do it with such force. He wasn't a very heavy man, and it rather lifted him off the ground.

"I must find Sevet," Kokor said, by way of explanation. He probably didn't hear her. He was groaning too loudly as he lay there on the wooden floor backstage.

"Where's the understudy?" Tumannu was saying. "Not even three minutes' warning, the poor little bizdoon."

"Does it hurt?" Gulya was asking Rashgallivak. "I mean, what is pain, when you really think about it?"

Kokor wandered off into the darkness, heading for Dauberville. Her thigh throbbed, just above the knee, where she had pushed it so forcefully into Rashgallivak's crotch. She'd probably end up with a bruise there, and then she'd have to use an opaque sheen on her legs. Such a bother.

Father's dead. I must be the one to tell Sevet. Please don't let anyone else find her first. And murdered. People will talk about this for years. I will look rather fine in the white of mourning. Poor Sevet-her skin always looks red as a beet when she wears white. But she won't dare stop wearing mourning until I do. I may mourn for poor Papa for years and years and years.

Kokor laughed and laughed to herself as she walked along.

And then she realized she wasn't laughing at all, she was crying. Why am I crying? she wondered. Because Father is dead. That must be it, that must be what all this commotion is about. Father, poor Father. I must have loved him, because I'm crying now without having decided to, without anybody even watching. Who ever would have guessed that I loved him?