And finally his eyes hurt and he looked at the clock and felt guilty about having spent so long closed off in his study on one of his few nights home early from the office. He meant to get up and find Maryjo and take her up to bed. But instead he got up and went to the coffin and ran his hands along the wood. It felt like glass, because the varnish was so thick and smooth. It was as if the living wood had to be kept away, protected from the touch of a hand. But the wood was not alive, was it? It was being put into the ground also to decompose. The varnish might keep it alive longer. He thought whimsically of what it would be like to varnish a corpse, to preserve it. The Egyptians would have nothing on us then, he thought.

"Don't," said a husky voice from the door. It was Maryjo, her eyes red-rimmed, her face looking slept in.

"Don't what?" Mark asked her. She didn't answer, just glanced down at his hands. To his surprise, Mark noticed that his thumbs were under the lip of the coffin lid, as if to lift it.

"I wasn't going to open it," he said.

"Come upstairs," Maryjo said.

"Are the children asleep?"

He had asked the question innocently, but her face was immediately twisted with pain and grief and anger.

"Children?" she asked. "What is this? And why tonight?"

He leaned against the coffin in suprise. The wheeled table moved slightly.

"We don't have any children," she said.

And Mark remembered with horror that she was right. On the second miscarriage, the doctor had tied her tubes because any further pregnancies would risk her life. There were no children, none at all, and it had devastated her for years; it was only through Mark's great patience and utter dependability that she had been able to stay out of the hospital. Yet when he came home tonight-- he tried to remember what he had heard when he came home. Surely he had heard the children runmng back and forth upstairs. Surely--



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