Anthony Burgess


The Clockwork Testament (Or: Enderby 's End)

Anthony Burgess


The Clockwork Testament (Or: Enderby's End)

Book 3 of the Enderby Quartet

to Burt Lancaster

"… deserves to live, deserves to live."


ONE

The first thing he saw on waking was his lower denture on the floor, its groove encrusted with dried Dentisement, or it might be Orastik, Mouthficks, Gripdent, or Bite (called Bait in Tangier, where he could be said to have a sort of permanent, that is to say, if you could talk of permanency these days in anything, so to speak, address); the fully teethed in my audience will hardly conceive of the variety of denture adhesives on the market. His tongue, at once sprung into life horribly with no prelude of decent morning sluggishness, probed the lower gum briskly and found a diminution of yesterday's soreness. Then it settled into the neutral schwa position to await further directives. So. The denture, incrustations picked loose, laved, recharged with goo of Firmchew-family size with new wintergreen flavor-could be jammed in without serious twinge. As well, since today students must be met and talked at.

He lay, naked for the central heating, on his belly. If the bed, which was circular in shape, were a clock, then he was registering twenty of two, as Americans put it, meaning twenty to two. If, that was, his upper part were the hour hand. If, that was, twelve o'clock was where the bed touched the wall. The Great Bed of Ware of English legend had been round also, though much bigger, the radius being the length of a sleeper-say six feet. How many pairs of dirty (read Rabelaisian, rollicking) feet meeting at the center(re)? Circumference 2 pi r, was it? It didn't seem big enough somehow.



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