The intensity of the cannonade waxed, if such a thing were possible, and reached a climax as the gold-plated galley drew up alongside a stone pier that projected into the harbor not awfully far away. Then, all of a sudden, the noise stopped.

“What in Christ’s name-” he began, but the rest of his utterance was drowned out by a sound that-compared to hundreds of cannons firing at once-made up in shrillness what it lacked in volume. Listening to it in amazement, he began to detect certain resemblances between it and musick. Rhythm was there, albeit of an overly complicated and rambunctious nature, and melody, too, though it was not cast in any civilized mode, but had the wild keening intonations of Irish tunes-and then some. Harmony, sweetness of tone, and other qualities normally associated with musick, were absent. For these Turks or Moors or whatever they were had no interest in flutes, viols, theorbos, nor anything else that made a pleasing sound. Their orchestra consisted of drums, cymbals, and a hideous swarm of giant war-oboes hammered out of brass and fitted with screeching, buzzing reeds, the result sounding like nothing so much as an armed assault on a belfry infested with starlings.

“I owe an ’umble apology to every Scotsman I’ve ever met,” he shouted, “for it isn’t true, after all, that their music is the most despicable in the world.” His companion cocked an ear in his direction but heard little, and understood less.

Now, essentially all of the city was protected within that wall, which shamed any in Christendom. But on this side of it there were various breakwaters, piers, gun-emplacements, and traces of mucky beach, and everything that was capable of bearing a man’s weight, or a horse’s, was doing so-covered by ranks of men in divers magnificent and outlandish uniforms.