And this was notably done in the observation attributed by rumor to the investigating magistrate: "This is the first time in my life I have had to convince a person that they are not guilty of murder." Another fragment, with the same aphoristic brevity, reported the riposte made by the magistrate to the interpreter. The latter had remarked in surprise: "But don't you think that, in accusing herself of one crime, she's trying to cover up another?"

The reply was trenchant.

"A killer breaks a shop window, admits it, goes to prison, and gets away with a murder. But you don't accuse yourself of murder in order to cover up a broken window."

That is how the affair was pictured during those summer months in Villiers-la-Forêt. The few who went away on vacation discovered new details on their return, strange revelations that their neighbors were eager to impart to them. Their game of a thousand voices resumed more merrily than ever…

And it was after a great delay, early in the fall, that they learned this mind-boggling news: some time previously the case of the Russian lovers had been formally closed for want of evidence. It was only then that they realized Princess Arbyelina's house was empty and she and her son were no longer to be seen.

Yes, the curtain had been rung down just when their scenarios were taking on more and more substance, when they were so close to knowing the truth!

The people of Villiers found it hard to conceal their disappointment. They had grown so accustomed to the pleasantly fevered climate that the love and death of the horse butcher had caused to reign in their town. What they felt especially nostalgic for, though often without realizing it, was the secret life that the unfortunate passengers on that old boat had revealed to them. It had appeared that in their dull little town quite another life could be simmering away-devastating in its passions, criminal, multifarious.



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