There was salt staining the outside of the glass. He walked forward and slid the window open. The two halves rolled easily apart along their tracks into recesses hidden in the curving wall. He stepped out on the balcony. The sea sound was loud; waves crashed at the foot of the Tower.

He remained there a long time, claimed by griefs too numerous to be isolated or addressed. He looked to his left and saw the river. It had run red past the Anor for a year from the day she had died, and it did so yet, every year, when the day came around again. It had had a name once, that river: Not any more.

He shook his head and began to busy himself. He pulled the windows closed and, having more than power enough to deal with this, made them clean again. He slid them open a second time and left them so, that the night air might come into a room that had been closed a thousand years. He found candles in a drawer and then torches at the bottom of the stairs—wood of the Wood vouchsafed for burning in this place. He lit the torches in the brackets set into the wall along the stairwell, and then placed the candles about the one high room, and lit them all.

By their light he saw that there was a layer of dust on the floor, though not, curiously, on the bed. And then he saw something else. Something that chilled even his wise, knowing blood.

There were footsteps in the dust, not his own, and they led over to that bed. And on the coverlet—woven, he knew, by masters of the art in Seresh—lay a mass of flowers; roses, sylvain, corandiel. But it was not the flowers that held his gaze.

The candles flickered in the salt breeze off the sea, but they were steady enough for him to clearly see his own small footprints in the dust and, beside them, those of the man who had walked into the room to lay those flowers on the coverlet.