The second book in the Kidd and LuEllen series

The heat was ferocious.

The odor of melting blacktop was thick in the air, like the stink of an oil slick, and the rare night walkers glistened with sweat. A time-and-temperature sign outside the state bank poked scarlet digits down the dark streets: 91, it said, and 11:04. Three doors north of the bank, a janitor at the Paramount Theater vacuumed the lobby in slow motion. The theater was air-conditioned. His home was not.

Across the street from the Paramount, a window dresser at Trent 's fussed with an abattoir of dismembered mannequins. He worked only nights, after curfew for children twelve and under. He was setting up the annual bathing suit display, and modern mannequins, the city council observed, had nipples.

In the window lights even the dummies looked hot.

With nightfall an army of insects marched out of the Mississippi river bottoms. Coffee brown beetles, some as long as a man's thumb, scuttled through the gutters. Hard-shelled June bugs ricocheted like stones off the storefront windows. Fuzzy-winged moths fluttered in the headlights of passing cars. They made yellow smears when they hit the windshields; the biggest ones had guts like baby birds, and blood.

The moths and the delicate green lacewings were the tragic stars of the night. By the hundreds of thousands they burned in the eerie violet halos of electronic insect traps. The lucky ones made it past the traps and found heaven in the parking lot lights at the E-Z Way. Under the brilliant floods they danced and died in midnight ecstasy. Their bodies littered the pavement like confetti.

Elvis Coultier loved the bugs. They made intricate patterns in the boring nightscape, like a living kaleidoscope. In some dumb way they brought him a breath of drama. Once a night, or sometimes twice, a luna moth would appear, huge, green, fragile. He would watch as it circled and climbed, danced, courting the light, and finally burned, fluttering like an autumn maple leaf to the parking lot.