She turned from the window. The Stradivarius lay where she had dropped it. She picked it up. Downstairs she heard her father calmly telling his guest of his wife’s suicide. She lifted the violin to her neck, laid the bow upon the strings, closed her eyes. G minor. Various patterns of ascent and descent. Arpeggios. Broken thirds.

“HOW can she play at a time like this?”

“I’m afraid she knows little else.”

Late afternoon. The two men alone in the study again. The police had completed their initial investigation, and the body had been removed. The note lay on the drop-leaf table between them.

“A doctor could give her a sedative.”

“She doesn’t want a doctor. I’m afraid she has her mother’s temper and her mother’s stubborn nature.”

“Did the police ask whether there was a note?”

“I see no need to involve the police in the personal matters of this family, especially when it concerns the suicide of my wife.”

“And your daughter?”

“What about my daughter?”

“She was watching you from the window.”

“My daughter is my business. I’ll deal with her as I see fit.”

“I certainly hope so. But do me one small favor.”

“What’s that, Otto?”

His pale hand patted the top of the table until it came to rest on the note.

“Burn this damned thing, along with everything else. Make sure no one else stumbles on any unpleasant reminders of the past. This is Switzerland. There is no past.”

Part One THE PRESENT

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