Elaida's mouth twisted. The Tower had often in its history been cautious of necessity — too many feared them, too many distrusted them — but it had never feared anything or anyone. Now, it feared.

She raised her eyes to the paintings. One consisted of three wooden panels depicting Bonwhin, the last Red to have been raised to the Amyrlin Seat, a thousand years before, and the reason no Red had worn the stole since. Until Elaida. Bonwhin, tall and proud, ordering Aes Sedai in their manipulations of Artur Hawkwing; Bonwhin, defiant, on the white walls of Tar Valon, under siege by Hawkwing's forces; and Bonwhin, kneeling and humbled, before the Hall of the Tower as they stripped her of stole and staff for nearly destroying the Tower.

Many wondered why Elaida had had the triptych retrieved from the storerooms where it had lain covered in dust; if none spoke openly, she had still heard the whispers. They did not understand that constant reminder of the price of failure was necessary.

The second painting was in the new fashion, on stretched canvas, a copy of a street artist's sketch from the distant west. That one caused even more unease among the Aes Sedai who saw it. Two men fought among clouds, seemingly in the sky, wielding lightning for weapons. One had a face of fire. The other was tall and young, with reddish hair. It was the youth who caused the fear, who made even Elaida's teeth clench. She was not sure if it was in anger, or to keep them from chattering. But fear could and must be controlled. Control was all.

"We are done, then," Alviarin said, rising smoothly from her stool. The others copied her, adjusting skirts and shawls in preparation for leaving. "In three days, I will expect —"