“None that I know, Majesty.”

“And have I paid you well?”

“I am quite satisfied.”

That reply, thought Kalidasa, was hardly accurate; there had been continuous pleas for more money, more assistants, expensive materials that could only be obtained from distant lands. But artists could not be expected to understand economics, or to know how the royal treasury had been drained by the awesome cost of the palace and its surroundings.

“And now that your work here is finished, what do you wish?”

“I would like your Majesty's permission to return to Ishfahan, so that I may see my own people once again.”

It was the answer that Kalidasa had expected, and he sincerely regretted the decision he must make. But there were too many other rulers on the long road to Persia, who would not let the master-artist of Yakkagala slip through their greedy fingers. And the painted goddesses of the western wall must remain forever unchallenged.

“There is a problem,” he said flatly – and Firdaz turned yet paler, his shoulders slumping at the words. A king did not have to explain anything, but this was one artist speaking to another. “You have helped me to become a god. That news has already reached many lands. If you leave my protection, there are others who will make similar requests of you.”

For a moment, the artist was silent; the only sound was the moaning of the wind, which seldom ceased to complain when it met this unexpected obstacle upon its journey. Then Firdaz said, so quietly that Kalidasa could hardly hear him: “Am I then forbidden to leave?”

“You may go, and with enough wealth for the rest of your life. But only on condition that you never work for any other prince.”

“I am willing to give that promise,” replied Firdaz with almost unseemly haste.

Sadly, Kalidasa shook his head. “I have learned not to trust the word of artists,” he said, “especially when they are no longer within my power. So I will have to enforce that promise.”