Satin lined.

Brass handle shined.

She lay in it in her yellow Crimplene bell-bottoms with her hair in a ribbon and her Made-in-England go-go bag that she loved. Her face was pale and as wrinkled as a dhobi’s thumb from being in water for too long. The congregation gathered around the coffin, and the yellow church swelled like a throat with the sound of sad singing. The priests with curly beards swung pots of frankincense on chains and never smiled at babies the way they did on usual Sundays.

The long candles on the altar were bent. The short ones weren’t. An old lady masquerading as a distant relative (whom nobody recognized, but who often surfaced next to bodies at funerals-a funeral junkie? A latent necrophiliac?) put cologne on a wad of cotton wool and with a devout and gently challenging air, dabbed it on Sophie Mol’s forehead. Sophie Mol smelled of cologne and coffinwood.

Margaret Kochamma, Sophie Mol’s English mother, wouldn’t let Chacko, Sophie Mol’s biological father, put his arm around her to comfort her.

The family stood huddled together. Margaret Kochamma, Chacko, Baby Kochamma, and next to her, her sister-in-law, Mammachi-Estha and Rahel’s (and Sophie Mol’s) grandmother. Mammachi was almost blind and always wore dark glasses when she went out of the house. Her tears trickled down from behind them and trembled along her jaw like raindrops on the edge of a roof. She looked small and ill in her crisp off-white sari. Chacko was Mammachi’s only son. Her own grief grieved her. His devastated her.

Though Ammu, Estha and Rahel were allowed to attend the funeral, they were made to stand separately, not with the rest of the family. Nobody would look at them.