
Kathleen Minogue had spotted Kilmartin early in the New Year, looking through the self-help section in a Dublin bookshop. She swore that she had seen earphones and the tell-tale white wire of an iPod on him too. Minogue felt a strange embarrassment and even pity when he had heard this.
For Minogue’s part, he kept track of the progress of the internal investigation into the shennigans at the Kilmartins’ house that night. The Ombudsman’s Office had been up and running nearly two years now, but it was still the Commissioner who had the final say in discipline.
Minogue had now been interviewed three times about that night at Kilmartin’s — or as Plate Glass Sheehy had whispered in his ear one evening at Clancy’s pub, in a parody of a come-all-ye that Kilmartin would have appreciated in better times, “The Night Before Jimmy Was Stretched.” Well, nearly stretched.
The interviews had been low-key, and terribly polite all the way. Two of the “chats” had been with that reed-thin sergeant, Feeney; Feeney of the strangely white teeth and peppermint breath, Feeney with the skin tight over his forehead, a man who seemed to be perpetually straining, or holding back some great revelation, or fury.
The same Feeney had a soft manner that Minogue didn’t trust one iota. There had been a civil servant there at the second meeting, a woman from Justice who liaised with the Director of Public Prosecutions. Minogue remembered she wore those small and severe oblong glasses that were the style everywhere now. The suspicion, maybe even the assumption, that a friend of Jim Kilmartin’s like Minogue had to have been privy to Kilmartin’s doings sat like another party in the room. It was hardly news that Coopers looked after one another, was it.
