
They were pleased that their new home lay on a southern slope, isolated, surrounded by cherry and plum trees and melon and tomato fields; they loved that their garden and balcony had sun from dawn to dusk, and that it was shady and cool beneath the balcony that ran the whole length of the second floor. There was a lot of space, with two rooms downstairs and three upstairs, and an addition to the house that Hanne could use as a studio. She sketched and painted.
They brought over their furniture and Hanne’s easel from Karlsruhe. Georg planted an herb garden, and Hanne set up her studio. When he was no longer needed at the cinema, Hanne got herself a part-time job at a printer’s. In the harvest season they both worked as field hands. In the winter Georg got his first translation jobs from Monsieur Maurin. But try as they might they couldn’t make ends meet, and she went back to Karlsruhe to stay with her parents for two months. They were wealthy, and happy to support their daughter-as long as she wasn’t in Paris or Cucuron, and as long as she wasn’t living with Georg. Two months turned into four. She only came back over Christmas, and then one more time to collect her belongings. Her new boyfriend was sitting at the wheel of the van into which she loaded the cabinet, bed, table, chair, fourteen boxes, and her easel. Hanne left Georg the two cats.
When he was twenty-five Georg had married Steffi, his high school sweetheart from Heidelberg. By thirty he was divorced, and over the next few years had various girlfriends for shorter or longer periods. At thirty-five he had met Hanne, and was convinced that she was the one for him.
