
`It's like this,' he said, `when I first arrived I didn't know much about the country.'
Charlie said, with a good-humoured but brutal irony, 'Thanks for the information.' And then, 'Have you any idea why this nigger murdered Mrs Turner?'
`Well, I have a sort of idea, yes.'
`We had better leave it to the Sergeant, when he comes then.'
It was a snub; he had been shut up. Tony held his tongue, angry but bewildered.
When the Sergeant came, he went over to look at the murderer, glanced at Dick through the window of Slatter's car, and then came into the house.
`I went to your place, Slatter,' he said, nodding at Tony, giving him a keen look. Then he went into the bedroom. And his reactions were as Charlie's had been: vindictiveness towards the murderer, emotional pity for Dick, and for Mary, a bitter contemptuous anger: Sergeant Denham had been in the country for a number of years. This time Tony saw the expression on the face, and it gave him a shock. The faces of the two men as they stood over the body, gazing down at it, made him feel uneasy, even afraid. He himself felt a little disgust, but not much; it was mainly pity that agitated him, knowing what he knew. It was the disgust that he would feel for any social irregularity, no more than the distaste that comes from failure of the imagination. This profound instinctive horror and fear astonished him.
The three of them went silently into the living-room. Charlie Slatter and Sergeant Denham stood side by side like two judges, as if they had purposely taken up this attitude. Opposite them was Tony. He stood his ground, but he felt an absurd guiltiness taking hold of him, simply because of their pose, standing like that, looking at him with subtle reserved faces that he could not read.
