“Look at him smile!” said Mrs. Owens. “He has the sweetest of smiles,” and with one insubstantial hand she stroked the child’s sparse blond hair. The little boy giggled with delight.

A chilly breeze blew across the graveyard, scattering the fog in the lower slopes of the place (for the graveyard covered the whole of the top of the hill, and its paths wound up the hill and down and back upon themselves). A rattling: someone at the main gate of the graveyard was pulling and shaking it, rattling the old gates and the heavy padlock and chain that held them.

“There now,” said Owens, “it’s the babe’s family, come to bring him back to the loving bosom. Leave the little man be,” he added, because Mrs. Owens was putting her insubstantial arms around the toddler, smoothing, stroking.

Mrs. Owens said, “He dun’t look like nobody’s family, that one.” The man in the dark coat had given up on rattling the main gates and was now examining the smaller side gate. It, too, was well-locked. There had been some vandalism in the graveyard the previous year, and the council had Taken Steps.

“Come on, Mistress Owens. Leave it be. There’s a dear,” said Mr. Owens, when he saw a ghost, and his mouth dropped open, and he found himself unable to think of anything to say.

You might think—and if you did, you would be right—that Mr. Owens should not have taken on so at seeing a ghost, given that Mr. and Mrs. Owens were themselves dead and had been for a few hundred years now, and given that the entirety of their social life, or very nearly, was spent with those who were also dead. But there was a difference between the folk of the graveyard and this: a raw, flickering, startling shape the grey color of television static, all panic and naked emotion which flooded the Owenses as if it was their own. Three figures, two large, one smaller, but only one of them was in focus, was more than an outline or a shimmer. And the figure said, My baby! He is trying to harm my baby!