
Edward Pierce, on the other hand, was positively exuberant in his approach to crime. Whatever his soues of income, whatever the truth of his background, one thing is certain: he was a master cracksman, or burglar, who over the years had accumulated sufficient capital to finance large-scale criminal operations, thus becoming what was called "a patter-up." And toward the middle of 1854, he was already well into an elaborate plan to pull the greatest theft of his career, The Great Train Robbery.
CHAPTER 03
THE SCREWSMAN
Robert Agar-- a known screwsman, or specialist in keys and safe-breaking-- testified in court that when he met Edward Pierce in late May, 1854, he had not seen him for two years previously. Agar was twenty-six years old, and in fair health except for a bad cough, the legacy of his years as a child working for a match manufacturer on Wharf Road, Bethnal Green. The premises of the firm were poorly ventilated, and the white vapor of phosphorous filled the air at all times. Phosphorous was known to be poisonous, but there were plenty of people eager to work at any job, even one that might cause a person's lungs to decay, or his jaw to rot off-- sometimes in a matter of months.
Agar was a matchstick dipper. He had nimble fingers, and he eventually took up his trade as screwsman, where he was immediately successful. He worked as a screwsman for six years and was never apprehended.
Agar had never had any direct dealings with Pierce in the past, but he knew of him as a master cracksman who worked other towns, thus accounting for his long absences from London. Agar had also heard that Pierce had the money to put up a lay from time to time.
Agar testified that their first meeting occurred at the Bull and Bear publican house, on Hounslow Road. Located at the periphery of the notorious criminal slum of Seven Dials, this well-known flash house was, in the words of one observer, "a gathering place for all manner of females dressed to represent ladies, as well as members of the criminal class; who could be seen at every turning."
