“She could have married the son of the Chief Justice if she’d wanted to. You think she’s beautiful, eh? But you should hear her sing. Finest native woman singer in Hawaii Nei. Her throat is pure silver and melted sunshine. We adored her. She toured America first with the Royal Hawaiian Band. After that she made two more trips on her own-concert work.”

“Oh!” I cried. “I remember now. I heard her two years ago at the Boston Symphony. So that is she. I recognize her now.”

I was oppressed by a heavy sadness. Life was a futile thing at best. A short two years and this magnificent creature, at the summit of her magnificent success, was one of the leper squad awaiting deportation to Molokai. Henley ’s lines came into my mind:-

“The poor old tramp explains his poor old ulcers; Life is, I think, a blunder and a shame.”

I recoiled from my own future. If this awful fate fell to Lucy Mokunui, what might my lot not be?-or anybody’s lot? I was thoroughly aware that in life we are in the midst of death-but to be in the midst of living death, to die and not be dead, to be one of that draft of creatures that once were men, aye, and women, like Lucy Mokunui, the epitome of all Polynesian charms, an artist as well, and well beloved of men-. I am afraid I must have betrayed my perturbation, for Doctor Georges hastened to assure me that they were very happy down in the settlement.

It was all too inconceivably monstrous. I could not bear to look at her. A short distance away, behind a stretched rope guarded by a policeman, were the lepers’ relatives and friends. They were not allowed to come near. There were no last embraces, no kisses of farewell. They called back and forth to one another-last messages, last words of love, last reiterated instructions. And those behind the rope looked with terrible intensity. It was the last time they would behold the faces of their loved ones, for they were the living dead, being carted away in the funeral ship to the graveyard of Molokai.