Her thoughts echoed my own.

When she was gone, I made my way in the same direction, keeping my hands off the parrot. Even so, the parrot dominated my attention... like when you meet someone who’s completely wrong for you and you know he’ll screw up your life, but every minute of the day you find yourself thinking about him. Not love, not lust, and you know you’re too sensible for obsession; but you still keep turning it over and over in your mind. I could laugh at how I was getting in so deep with the parrot, I could tell myself it would only take a tiny effort of will to set my parrot free...

But I didn’t do it. Fixations can be sweet.

Following Helena’s footsteps through the dew soon brought me back to camp. Music played in the main Quonset hut, the timeworn feel-good classic “Orange Puppy,” recorded by “Vivaldi’s Love-Child.” That meant the hut had been taken over by roadies — only they were old enough to play such a rusty dusty nostalgia number. I could imagine them sitting around, wearing sloppy T-shirts from old groups like “Madrigal Canyon” or “Freckles on a Green-Eyed Girl,” and saying spiteful things about the music scene today.

I considered joining them, but didn’t think I’d be up to eavesdropping on a crowd. Besides, what could the parrot tell me that I couldn’t guess myself? The roadies all said exactly what they thought the moment it crossed their minds... except for the wet-dream fantasies a few of the guys had when they looked in my direction, and who needed telepathy to pick up those?

Instead, I turned toward the huts that served as sleeping quarters. The nearest belonged to Alex and Helena, but I didn’t want to see either of them again tonight. A few meters farther was the hut that songwriter Roland shared with our equipment manager. The equipment manager would surely be keeping company with the rest of the roadies, and Roland would be alone.