She was good, too. Very good, actually, and because of her father’s connection to Juilliard, the administration and teachers there were well aware of her ability. Word slowly began to spread in the obscure “classical music is all-important” grapevine that constituted her father’s life. A couple of articles in classical music magazines followed, and a moderately long piece in The New York Times that focused on the father-daughter connection came next, all of which eventually led to a coveted appearance in the Young Performers series at Carnegie Hall four years ago. That, she supposed, was the highlight of her career. And it was a highlight; she wasn’t naive about what she’d accomplished. She knew how rare an opportunity like that was, but lately she’d found herself wondering whether the sacrifices had been worth it. No one besides her parents probably even remembered the performance, after all. Or even cared. Ronnie had learned that unless you had a popular video on YouTube or could perform shows in front of thousands, musical ability meant nothing.

Sometimes she wished her father had started her on the electric guitar. Or at the very least, singing lessons. What was she supposed to do with an ability to play the piano? Teach music at the local school? Or play in some hotel lobby while people were checking in? Or chase the hard life her father had? Look where the piano had gotten him. He’d ended up quitting Juilliard so he could hit the road as a concert pianist and found himself playing in rinky-dink venues to audiences that barely filled the first couple of rows. He traveled forty weeks a year, long enough to put a strain on the marriage. Next thing she knew, Mom was yelling all the time and Dad was retreating into his shell like he usually did, until one day he simply didn’t return from an extended southern tour. As far as she knew, he wasn’t working at all these days. He wasn’t even giving private lessons.