Then we’ll talk again.” By now Glass had the door open. The much used air in the corridor smelled faintly of burnt rubber. “I’ve got to get my head around you, too,” Riley said, with a suddenly bitter laugh. “I used to read you, you know, in the Guardian, in Rolling Stone, the New York Review. And now you’re writing Big Bill Mulholland’s life story.” He inflated his cheeks and released the air in them with a tiny, plosive sound. “Wow,” he said, and turned away.

Glass shut the door and walked back to his desk, and when he reached it, as if at a signal, the telephone rang. “This is Security, Mr. Glass. Your wife is here.”

For a moment Glass said nothing. He touched the chair Dylan Riley had sat in, and again it made its tiny protest: eek, eek. The young man had left a definite odor on the air, a grayish, rank spoor.

A lemur! That was the creature Dylan Riley resembled. Yes, of course. A lemur.

“Tell her to come up,” John Glass said.

2


LOUISE

Louise Glass was forty-eight and looked thirty. She was tall and slim and a redhead, though these days most of the red came out of a bottle. Her skin was pale to the point of translucency, and her sharp-featured face was lovely from some angles and fascinatingly harsh from others. She was, Glass acknowledged to himself, for the umpteenth time, a magnificent woman, and he no longer loved her. It was strange. One day, around the time he had given up being a journalist, all that he had felt for her, all that helpless, half-tormented passion, had dropped to degree zero. It was as if the flesh-and-blood woman had, like an enchanted princess in a fairy tale, been turned to stone in his arms. There she was, as she had always been, a smooth, svelte, burnished beauty, at the mere sight of whom in former days something in him would cry out piteously, in a kind of happy languish, but whose presence now provoked in him only a faint, fading melancholy.



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