“Hi, Naomi,” I called out. “Is Layla in her office?”

She bared her teeth at me. “She’s in there and she’s in rare form today. Good luck.”

“Thanks for the heads-up,” I said, wondering, not for the first time, why Naomi Fontaine stayed with BABA. She would never get the respect she deserved from her aunt Layla and would always stand in her shadow. Naomi was a true bluestocking who, in another era, might’ve been just as happy as a cloistered nun. She was pretty in an understated way, and talented enough, but she was a mouse. Shy and a bit obsequious, she lacked the dynamic personality it took to appeal to the high-society types with whom her aunt Layla hobnobbed.

Still, it was wise to keep on Naomi’s good side. She was the person to talk to if you wanted to get anything done here. If Layla was the brains behind BABA, Naomi was its heart and soul. She had her faults, but everything ran smoothly because of her.

I crossed the gallery and walked down the north hall toward Layla’s office. I was anxious to show her the restoration work I’d done on a rotted-out copy of a nineteenth-century illustrated edition of Charles Dickens’s Oliver Twist. She’d given me the decrepit old book to restore, and if I said so myself, I’d done a fabulous job for her.

Layla planned to use the book as the centerpiece for BABA’s two-week-long celebration of the one hundred seventy-fifth anniversary of Dickens’s publication of Oliver Twist. She was calling the festival “Twisted.” Layla was always throwing lavish parties to celebrate obscure anniversaries such as this one. Anything to drum up sponsors and visitors to BABA.

I was grateful for the work and figured that as long as Layla was willing to provide me with books to restore, I was willing to believe she had a heart buried somewhere in that size double-D chest of hers.