As we drove I opened the envelope and counted out the money, twenties, fifties and hundred-dollar bills. It was all there. The tank was refilled and I was good to go with Harold Casey. I would go to trial and teach his young prosecutor a lesson. I would win, if not in trial, then certainly on appeal. Casey would return to the family and work of the Road Saints. His guilt in the crime he was charged with was not something I even considered as I filled out a deposit slip for my client fees account.

“Mr. Haller?” Earl said after a while.

“What, Earl?”

“That man you told him was coming in from New York to be the expert? Will I be picking him up at the airport?”

I shook my head.

“There is no expert coming in from New York, Earl. The best camera and photo experts in the world are right here in Hollywood.”

Now Earl nodded and his eyes held mine for a moment in the rearview mirror. Then he looked back at the road ahead.

“I see,” he said, nodding again.

And I nodded to myself. No hesitation in what I had done or said. That was my job. That was how it worked. After fifteen years of practicing law I had come to think of it in very simple terms. The law was a large, rusting machine that sucked up people and lives and money. I was just a mechanic. I had become expert at going into the machine and fixing things and extracting what I needed from it in return.

There was nothing about the law that I cherished anymore. The law school notions about the virtue of the adversarial system, of the system’s checks and balances, of the search for truth, had long since eroded like the faces of statues from other civilizations. The law was not about truth. It was about negotiation, amelioration, manipulation. I didn’t deal in guilt and innocence, because everybody was guilty. Of something. But it didn’t matter, because every case I took on was a house built on a foundation poured by overworked and underpaid laborers. They cut corners. They made mistakes. And then they painted over the mistakes with lies. My job was to peel away the paint and find the cracks. To work my fingers and tools into those cracks and widen them. To make them so big that either the house fell down or, failing that, my client slipped through.