This was bitter indeed upon poor "Oppodeldoc"; but, in this instance, the weight of the satire falls upon the "Hum-Drum," the "Lollipop," and the "Goosetherumfoodle," who are pungently styled "periodicals"—in Italics, too—a thing that must have cut them to the heart.
Scarcely less savage was the "Lollipop," which thus discoursed:
"Some individual, who rejoices in the appellation 'Oppodeldoc,' (to what low uses are the names of the illustrious dead too often applied!) has enclosed us some fifty or sixty verses commencing after this fashion:
'Achilles' wrath, to Greece the direful spring
Of woes unnumbered, &c., &c., &c, &c.'
"'Oppodeldoc?' (whoever he is) is respectfully informed that there is not a printer's devil in our office who is not in the daily habit of composing better lines. Those of 'Oppodeldoc' will not scan. 'Oppodeldoc' should learn to count. But why he should have conceived the idea that we (of all others, we!) would disgrace our pages with his ineffable nonsense is utterly beyond comprehension. Why, the absurd twattle is scarcely good enough for the 'Hum-Drum,' the 'Rowdy-Dow,' the 'Goosetherumfoodle,'—things that are in the practice of publishing 'Mother Gooses Melodies' as original lyrics. And 'Oppodeldoc' (whoever he is) has even the assurance to demand pay for this drivel. Does 'Oppodeldoc' (whoever he is) know—is he aware that we could not be paid to insert it?"
As I perused this I felt myself growing gradually smaller and smaller, and when I came to the point at which the editor sneered at the poem as "verses," there was little more than an ounce of me left. As for "Oppodeldoc," I began to experience compassion for the poor fellow. But the "Goosetherumfoodle" showed, if possible, less mercy than the "Lollipop." It was the "Goosetherumfoodle" that said-