The coffee maker was almost ready to bubble. I turned the flame low and watched the water rise. It hung a little at the bottom of the glass tube. I turned the flame up just enough to get it over the hump and then turned it low again quickly. I stirred the coffee and covered it. I set my tinier for three minutes. Very methodical guy, Marlowe. Nothing must interfere with his coffee technique. Not even a gun in the hand of a desperate character.

I poured him another slug. "Just sit there," I said. "Don't say a word. Just sit."

He handled the second slug with one hand. I did a fast wash-up in the bathroom and the bell of the timer went just as I got back. I cut the flame and set the coffee maker on a straw mat on the table. Why did I go into such detail? Because the charged atmosphere made every little thing stand out as a performance, a movement distinct and vastly important. It was one of those hypersensitive moments when all your automatic movements, however long estab. lished, however habitual, become separate acts of will. You are like a man learning to walk after polio. You take nothing for granted, absolutely nothing at all.

The coffee was all down and the air rushed in with its usual fuss and the coffee bubbled and then became quiet. I removed the top of the maker and set it on the drainboard in the socket of the cover.

I poured two cups and added a slug to his. "Black for you, Terry." I added two lumps of sugar and some cream to mine. I was coming out of it by now. I wasn't conscious of how I opened the Frig and got the cream carton.

I sat down across from him. He hadn't moved. He was propped in the corner of the nook, rigid. Then without warning his head came down on the table and he was sobbing.

He didn't pay any attention when I reached across and dug the gun out of his pocket. It was a Mauser 7.65, a beauty. I sniffed it. I sprang the magazine loose. It was full. Nothing in the breach.