He sounded…gentle. Almost sympathetic. And stern, as if he did not approve of the dowager’s treatment of her.

“I am not used to holding a woman such,” he murmured in her ear. “I generally prefer a different sort of intimacy, don’t you?”

She said nothing, afraid to speak, afraid that she would try to speak and discover she had no voice.

“I won’t harm you,” he murmured, his lips touching her ear.

Her eyes fell on his gun, still in his right hand. It looked angry and dangerous, and it was resting against her thigh.

“We all have our armor,” he whispered, and he moved, shifted, really, and suddenly his free hand was at her chin. One finger lightly traced her lips, and then he leaned down and kissed her.

Grace stared in shock as he pulled back, smiling gently down at her.

“That was far too short,” he said. “Pity.” He stepped back, took her hand, and brushed another kiss on her knuckles. “Another time, perhaps,” he murmured.

But he did not let go of her hand. Even as the dowager emerged from the carriage, he kept her fingers in his, his thumb rubbing lightly across her skin.

She was being seduced. She could barely think-she could barely breathe-but this, she knew. In a few minutes they would part ways, and he would have done nothing more than kiss her, and she would be forever changed.

The dowager stepped in front of them, and if she cared that the highwayman was caressing her companion, she did not speak of it. Instead, she held forth a small object. “Please,” she implored him. “Take this.”

He released Grace’s hand, his fingers trailing reluctantly across her skin. As he reached out, Grace realized that the dowager was holding a miniature painting. It was of her long-dead second son.

Grace knew that miniature. The dowager carried it with her everywhere.

“Do you know this man?” the dowager whispered.

The highwayman looked at the tiny painting and shook his head.