
That made Grant think of motive, and he considered the more obvious ones: theft, revenge, jealousy, fear. The first was ruled out; the man's pockets could have been picked half a dozen times by an expert practitioner in such a crowd, without any more violence than a fly bestows in alighting. Revenge or jealousy? Most probably — Levantines were notoriously vulnerable in their feelings; an insult rankled for a lifetime, a straying smile on the part of their adored, and they ran amok. Had the man with the hazel eyes — he had, undoubtedly, been attractive — come between a Levantine and his girl?
For no reason whatever Grant did not think so. He did not for a moment lose sight of the possibility, but — he did not think so. There remained fear. Was the fully loaded revolver prepared for the man who slid that sliver of steel into the owner's back? Had the dead man intended to shoot the Levantine on sight, and had the assassin known it and lived in terror? Or was it the other way about? Was it the dead man who had carried a weapon of defense which had not availed him? But then there was the unknown man's desire to slough his identity. A loaded revolver in these circumstances pointed to suicide. But if he contemplated suicide, why postpone it while he went to the play? What other motive induced a man to make himself anonymous? A brush with the police — arrest? Had he intended to shoot some one and, afraid of not getting away, made himself nameless? That was possible.
