My mother left me in the open veranda on a straw mat, while she went inside the house for something or the other. All of a sudden a buffalo came charging through the street, inside the gate, and onto the veranda. By the time my mother called out and my father came rushing outside, the buffalo was towering over me, sharp horns pointed toward me, a leaky snout dropping mucus close to where I lay unaware of the perilous situation I was in.

“God knows why, but the bull went away, though for a while we thought it would hurt you,” my father said.

My mother’s version of the story was mostly the same as my father’s, only in her story it was my father who had left me on the veranda, not she. “I never left any of my children anywhere without supervision. It is your father… always wants this and that and leaves children where they are without any thought,” she explained.

I reached the main road and found an auto rickshaw. The driver was smoking a bidi, lounging on the vinyl-covered seat of his three-wheeler, while a small radio at his feet was playing the latest hit song from a Telugu film. “Come and take me in your arms, come and take me and make me yours. You are gone I know but I wait you know, for you to come and make me yours,” a female voice sang to an oft-used melody.

“Himayatnagar,” I said loudly to be heard over the song, and the auto rickshaw guy nodded and turned the radio off just as a woman’s heartbroken voice begged her lover yet again not to leave.

“Chalis rupya,” he said, and I shook my head. I hated to barter, but even I knew forty rupees was too much.

“Thees,” I countered, holding up three fingers, and he agreed without any resistance, which underscored the point that forty rupees was too much and probably even thirty was excessive, but I didn’t have the stomach to go on.