The last landscape or not, the situation for the person hosting the parties was not idyllic after all. Without a regular job, Xie had a hard time maintaining the house and paying for the parties. His wife had divorced him and emigrated to the United States several years ago, leaving Xie alone in the empty house. He consoled himself by collecting the odds and ends left over from the thirties, like an Underwood typewriter, silver-plated dinnerware, a pair of trumpet-shaped speakers, several antique phones, a brass foot warmer, and the like. After all, these were the things his grandparents and parents had told him about, things pictured in the time-yellowed family albums in which he now buried his solitude. And his collection contributed to the legend of the mansion.

In recent years, Xie had started to teach painting at home. He was said to have an unwritten rule for his students: he would only accept young, pretty, talented girls. According to some people who had known him for years, the sixty-plus-year-old Xie might be fashioning himself after Jia Baoyu in the Dream of the Red Chamber.

Jiao went to Xie’s painting classes despite the fact that Xie had hardly received any formal training as a painter, and she went to the parties despite the fact that most of the partygoers were old or old-fashioned or both.

To explain all this, Internal Security had come up with a scenario. Xie must have functioned as a middleman, introducing Jiao to the people interested in the Mao materials in her possession. Foreign publishers would be willing to pay a huge advance for a book about Mao’s private life, just as they had for the memoir by Mao’s doctor. The parties would have provided opportunities for her to meet with those potential buyers.