
The Masculinist Revolt
by William Tenn
I
The Coming of the Codpiece
Historians of the period between 1990 and 2015 disagree violently on the causes of the Masculinist Revolt. Some see it as a sexual earthquake of nationwide proportions that was long overdue. Others contend that an elderly bachelor founded the Movement only to save himself from bankruptcy and saw it turn into a terrifying monster that swallowed him alive.
This P. Edward Pollyglow—fondly nicknamed “Old Pep” by his followers—was the last of a family distinguished for generations in the men’s wear manufacturing line. Pollyglow’s factory produced only one item, men’s all-purpose jumpers, and had always operated at full capacity—up to the moment the Interchangeable Style came in. Then, abruptly, overnight it seemed, there was no longer a market for purely male apparel.
He refused to admit that he and all of his machinery had become obsolete as the result of a simple change in fashion. What if the Interchangeable Style ruled out all sexual differentiation? “Try to make us swallow that!” he cackled at first. “Just try!”
But the red ink on his ledgers proved that his countrymen, however unhappily, were swallowing it.
Pollyglow began to spend long hours brooding at home instead of sitting nervously in his idle office. Chiefly he brooded on the pushing-around men had taken from women all through the twentieth century. Men had once been proud creatures; they had asserted themselves; they had enjoyed a high rank in human society. What had happened?
Most of their troubles could be traced to a development that occurred shortly before World War I, he decided. “Man-tailoring,” the first identifiable villain.
When used in connection with women’s clothes, “man-tailoring” implied that certain tweed skirts and cloth coats featured unusually meticulous workmanship. Its vogue was followed by the imitative patterns: slacks for trousers, blouses for shirts, essentially male garments which had been frilled here and furbelowed there and given new, feminine names. The “his-and-hers” fashions came next; they were universal by 1991.
