«Tell her probably,» I said, after reading the question over to him. «Ask her if she can get Portland on the AM band.»

«Okay, Daddy, can I come when you go to town?»

«Sure. You and Mommy both, if you want.»

«Okay.» He ran back to the house with the empty can.

I had worked my way up to the big tree. I made my first cut, sawed through, then turned the saw off for a few moments to let it cool down-the tree was really too big for it, but I thought it would be all right if I didn't rush it. I wondered if the dirt road leading up to Kansas Road was clear of falls, and just as I was wondering, an orange CMP truck lumbered past, probably on its way to the far end of our little road. So that was all right. The road was clear and the power guys would be here by noon to take care of the live lines.

I cut a big chunk off the tree, dragged it to the side of the driveway, and tumbled it over the — edge. It rolled down the slope and into the underbrush that had crept back since the long-ago day when my dad and his brothers-all of them artists, we have always been an artistic family, the Draytons-had cleared it away.

I wiped sweat off my face with my arm and wished for another beer; one really only sets your mouth. I picked up the chainsaw and thought about WOXO being off the air. That was the direction that funny fogbank had come from. And it was the direction Shaymore (pronounced Shammore by the locals) lay in. Shaymore was where the Arrowhead Project was.

That was old Bill Giosti's theory about the so-called Black Spring: the Arrowhead Project. In the western part of Shaymore, not far from where the town borders on Stoneham, there was a small government preserve surrounded with wire. There were sentries and closedcircuit television cameras and God knew what else. Or so I had heard; I'd never actually seen it, although the Old Shaymore Road runs along the eastern side of the government land for a mile or so.