I got the accent wrong so the waiter didn't know what I was saying anyway.”"How did you know you said chicken shit?”"The Maitlands were there. Charles pounced. Are we having dinner?”"We'll go to the quay. Did you get a room?”"There's always a room for me. They fire the cannon when they see my boat rounding the point.”She passed the bottle across to me. She looked tired from her work at the excavation, physically beat, her hands full of marks and cuts, but she was also charged by it, bright with it, giving off static. There must be a type of weariness that seems a blessing of the earth. In Kathryn's case it was literally the earth she was combing so scrupulously for fire marks and artifacts. I saw nothing in it myself.Her hair was trimmed to the nape and she was brown and a little leathery, wind-seared around the eyes. A lean woman, small-hipped, agile and light in her movements. There was a practicality about her body. She was built to a purpose, one of those padders through rooms, barefoot, in swishing corduroys. She liked to sprawl over furniture, arms dangling, legs stretched across a coffee table. She had a slightly elongated face, sinewy legs, quick deft hands. Old photographs of Kathryn with her father and her sisters showed a directness that caught the camera, engaged it fully. You felt this was a girl who took the world seriously. She expected it to be honest and was determined to be equal to its difficulties and testing times. She gave an unbalancing force and candor to the pictures, especially since her father and sisters customarily wore expressions that were studies in Canadian reserve, except when the old man was soused.Greece, I believed, would be her shaping environment, a place where she might carry on the singleminded struggle she'd always thought life was supposed to be. I mean the word "struggle" as an undertaking, a strenuous personal engagement."I'd like to take Tap to the Peloponnese with me," I said.