Stairways bent around houses, disappearing.It was a sea chamber raised to the day, to the detailing light, a textured pigment on the hills. There was something artless and trusting in the place despite the street meanders, the narrow turns and ravels. Striped flagpoles and aired-out rugs, houses joined by closed wooden balconies, plants in battered cans, a willingness to share the oddments of some gathering-up. Passageways captured the eye with one touch, a sea green door, a handrail varnished to a nautical gloss. A heart barely beating in the summer heat, and always the climb, the small birds in cages, the framed approaches to nowhere. Doorways were paved with pebble mosaics, the terrace stones were outlined in white.The door was open. I went inside to wait. She'd added a rush mat. Tap's writing table was covered with lined sheets. It was my second visit to the house and I realized I was scrutinizing the place, something I'd done the first time as well. Was it possible to find in the simple furniture, in the spaces between the faded walls, something about my wife and son that had been hidden from me during our life together in California, Vermont and Ontario?We make you wonder if you are the outsider in this group.The meltemi started blowing, the nagging summer wind. I stood by the window, waiting for them to appear. White water flashed outside the bay. Cats slipped out of hidden places in the rough walls and moved stretching into alleyways. The first of the air booms came rolling across the afternoon, waves from some distant violence, making the floor tremble slightly, window frames creak, causing plaster dust to trickle between abutting walls with an anxious whispering sound. Men were using dynamite to fish.Shadows of empty chairs in the main square. A motorcycle droning in the hills. The light was surgical, it was binding. It fixed the scene before me as a moment in a dream.